Drawing from art history and mythology allows me to connect with viewers in a familiar, yet loose visual framework. Blending disparate histories… — John Dyer Baizley Copy Share Image
Through a portrait, we can potentially see everything — the history and depth of a person's life, as well as evidence of… — Joyce Tenneson Copy Share Image
Personally, I find looking at all of the supporting materials and bring it all back to me - the people I worked… — Michael Mann Copy Share Image
I don't think you really can send an exact message, because any two viewers are so disparate, in terms of their backgrounds,… — Martin Mull Copy Share Image
Personally I like the slow burn; I don't think there is anything wrong with it. When I think about the movies that… — Oren Peli Copy Share Image
You know, my problem with most screenwriting is it is a blueprint. It's like they're afraid to write the damn thing. And… — Quentin Tarantino Copy Share Image
I think that the most important thing to me is fans. Without the viewers, without the fans, we have nothing. So I… — Pete Rose Copy Share Image
I try to surround myself with a good support system. Whether that's other creators or my family or my friends, or even… — Tyler Oakley Copy Share Image
