For me, making a photograph is mostly an intellectual process of understanding people or cities and their historical and phenomenological connections. At that point the photo is almost made, and all that remains is the mechanical process. — Thomas Struth Copy Share Image
For me, making a photograph is mostly an intellectual process of understanding people or cities and their historical and phenomenological connections. At that point… — Thomas Struth Copy Share
How should we judge what we see? More intimately, let us consider the vulnerability of the human body and soul under these circumstances. It’s… — Thomas Struth Copy Share
The portrait is the subject matter in photography where the problems of the media are the most visible. — Thomas Struth Copy Share
[When] I am taking a photograph, I am conscious that I am constructing images rather than taking snapshots. Since I do not take rapid… — Thomas Struth Copy Share
If I look at my work from the beginning it is more the idea of trying to establish a kind of material that one… — Thomas Struth Copy Share
The point at which the photograph ceases to function as a metaphor is the point at which it is free to propose an experiential… — Thomas Struth Copy Share
I wanted to make photographs in which everything was so complex and detailed that you could look at them forever and never see everything. — Thomas Struth Copy Share
[I]n general, my work is less about expanding the possibilities of photography than about re-investing it with a truer perception of things by returning… — Thomas Struth Copy Share
