On 'Sin Nombre,' Adriano Goldman and I improvised a lot of things on-site. We were working with untrained actors, and you can't really block a scene in a traditional way. — Cary Fukunaga Copy Share Image
It's easy to make something avant garde. To do something in the traditional way is much more brave in the sense that you're - your technique is so much more exposed because there's not all this flashy stuff to distract… — Cary Fukunaga Copy Share Image
The only pressure is the pressure I put on myself, that's up to be I guess to mitigate that. I think there's always pressure that you make the right choice for the next film. You don't know what the outcome is gonna be, there's always potential to find length to your career as well. Now I'm so far from any… — Cary Fukunaga Copy Share
One of the great things about working with Focus is that you're never forced, especially with a film with low budget. The pressure is… — Cary Fukunaga Copy Share Image
When I see an image in my head that compels me, where there's this mystery about what's going to happen next or could happen… — Cary Fukunaga Copy Share Image
I wrote my first script, which was 50 pages, at age 15. It was about two brothers in love with the same nurse while… — Cary Fukunaga Copy Share Image
I think the only reason people use PCs is because they have to. Mac is the most streamlined computer there is. I started using… — Cary Fukunaga Copy Share Image
If you think of most murders as being between people who know each other, it's very easy to figure out who the killer is.… — Cary Fukunaga Copy Share Image
I've written immense love letters that are supposed to be opened over days at a time. — Cary Fukunaga Copy Share Image
I started writing stories when I was 9 or 10. I wrote my first screenplay-type document when I was 14. — Cary Fukunaga Copy Share Image
It's nice to represent to other people in the world that Americans actually do know what's happening in the world, can speak other languages… — Cary Fukunaga Copy Share Image
