Andy was a nonverbal person; you couldn't get directions out of him. All he knew was what was modern in art was what wasn't art: The telephone was art, the pizza was art, but what was hanging on walls in… — Paul Morrissey Copy Share Image
You don't put your personal viewpoints in a good movie. A movie should only be concerned with characters, not some big moral, although it's… — Paul Morrissey Copy Share Image
Andy was a character, and the two of us did have some things in common. We appreciated funny things, didn't like serious things. — Paul Morrissey Copy Share Image
People treat serious subjects so seriously, which is so obvious a way of dealing with them. I'm always thinking that the best way of… — Paul Morrissey Copy Share Image
What made Andy famous was the years I managed him. I created the Velvet Underground and told him not to worry about them because… — Paul Morrissey Copy Share Image
Andy was not a hippie or rebel but more like a mischievous child. He was never out to destroy everything. He became a New… — Paul Morrissey Copy Share Image
I think it's absurd to believe that movies should look like paintings and say something like serious books say something. — Paul Morrissey Copy Share Image
Rome has New York's formlessness, aimlessness, a kind of hard-boiled sophistication, blase about everything. In their filmmaking, too, the Italians have this tongue-in-cheek sense… — Paul Morrissey Copy Share Image
So many things go on in life that never find their way into the movies because so much of it is unappealing. But that's… — Paul Morrissey Copy Share Image
Even Andy never hung his own paintings. He'd sell them or put them in a box. — Paul Morrissey Copy Share Image
I did say to myself one day, 'I'd love to be a Jewish comedian,' but that's my only memory with any connection to show… — Paul Morrissey Copy Share Image
The people of Pittsburgh should have a weekend flea market at the Warhol. Andy would have loved that kind of stuff. — Paul Morrissey Copy Share Image
