When I started working on ideas for 'Colors of the Wind,' I gave a lot of thought to the work of two lyricists who had written successful musicals about cultural conflict - Oscar Hammerstein and Sheldon Harnick. It all flowed… — Stephen Schwartz Copy Share Image
Most successful musicals need to attach themselves to something bigger than themselves, a concept that will make people feel immediately connected to it. — Alan Menken Copy Share Image
