The Dior heritage is so broad. It has a strong presence in the work. So, when people have to define it quickly,… — Raf Simons Copy Share Image
My own show with Sterling Ruby, for example, seems like such a huge disconnection from Dior couture, but then I think, yeah,… — Raf Simons Copy Share Image
I'm not an isolated person. The more I connect to people, the more I have the feeling that things work. — Raf Simons Copy Share Image
Camouflage is about much more than concealment and going unnoticed. There's a whole game involved between revealing and hiding. — Raf Simons Copy Share Image
It felt wrong for me to stay totally connected to that very strict way of approaching the heritage - what it can be, what… — Raf Simons Copy Share Image
Well, my own men's collection always felt very free back in the days before Jil. Once you make it this kind of dialogue with… — Raf Simons Copy Share Image
Computers let people avoid people, going out to explore. It's so different to just open a website instead of looking at a Picasso in… — Raf Simons Copy Share Image
As an industrial designer, you design the thing by yourself, and then it goes away from you, whereas fashion is in constant relation to… — Raf Simons Copy Share Image
Fashion is such an octopus. You're connected to so many people: suppliers, pattern makers, production teams, marketing teams, vendors. — Raf Simons Copy Share Image
My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get… — Raf Simons Copy Share Image
My whole life, I've always had to be surrounded by creative things. I find it relaxing to be in touch with creations by other… — Raf Simons Copy Share Image
My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not… — Raf Simons Copy Share Image
