What institutions or galleries assume is that videos are available and that they can just stream them for free without taking into account any sort of production cost or anything like that because the web is seen as a sphere… — Hito Steyerl Copy Share Image
Inequality is pervasive but invisible. It's hard to see. You need a sort of tool to make it visible. — Hito Steyerl Copy Share Image
Most of my work has always been online. But I try not to share it on commercial or corporate platforms, so you will find… — Hito Steyerl Copy Share Image
I don't think the Internet or a big digital corporation will manage to capture all of human relations. It's too boring. After a while,… — Hito Steyerl Copy Share Image
I'm trying to find ways to transform parts of the art world into something more productive or more satisfying. — Hito Steyerl Copy Share Image
We need, let's say, municipal digital platforms, for teaching, for schooling, for education, but also, of course, for the arts. — Hito Steyerl Copy Share Image
If you want to make a difference with art, which is a motive I perceive as questionable, then the single most stupid approach would… — Hito Steyerl Copy Share Image
I've always been interested in exploring technique in relation to technology. — Hito Steyerl Copy Share Image
As a dialectical materialist, I do not believe that social contradictions can be solved individually. On the other hand, if you give up on… — Hito Steyerl Copy Share Image
To brutally summarise a lot of scholarly texts, contemporary art is made possible by neoliberal capital, plus the Internet, biennials, art fairs, parallel pop-up… — Hito Steyerl Copy Share Image
I like the combination of two different ideas that connect at an unexpected level. — Hito Steyerl Copy Share Image
I never got into being an artist. For me, it's always more research, storytelling, maybe technological experimental. It's more like a laboratory setting. — Hito Steyerl Copy Share Image
