I don't want to say you should censor yourselves, but the storyteller should be able to defend why a narrative needed to shift that way or should only be told this way. — Misha Green Copy Share Image
We usually center our narratives that come out of Hollywood from a white male center. — Misha Green Copy Share Image
'Lovecraft Country' is reclaiming all these pulp genres for people of color. — Misha Green Copy Share Image
Horror is my favorite genre, but it works best for me when it's a metaphor on top of something we can all relate to. — Misha Green Copy Share Image
The Underground Railroad was a spy network for the North and that story has never been told. — Misha Green Copy Share Image
For me, I feel like horror space has always been a space of the other, even when it's not people of color or black… — Misha Green Copy Share Image
When I first read 'Lovecraft Country' I knew it had the potential to be unlike anything else on television. — Misha Green Copy Share Image
You know, being an 'other' in this world, you're walking around in a horror movie at all times, you're always on edge and wondering when the monster is going to jump out and get you. I feel like that's the experience of African-Americans and queer people in America. — Misha Green Copy Share
Oppression is not limited to people of color, but if you feel guilty that's something you should confront. — Misha Green Copy Share Image
'Get Out' definitely brought it to the mainstream, but you can look back at the original 'Night of the Living Dead' and that's definitely… — Misha Green Copy Share Image
The Underground Railroad was the first integrated civil rights movement. And it's a great example of when we work together, what we can go… — Misha Green Copy Share Image
If the actors aren't reacting the way people would react, that's where you step into disbelief. — Misha Green Copy Share Image
