One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I love the idea of taking a non-linear story and creating a three-act structure out of it. — Marc Forster Copy Share Image
Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps… — Marc Forster Copy Share
On 'Stranger Than Fiction,' the script was so good that I stuck to every line because it was just such brilliant writing from Zach… — Marc Forster Copy Share
The goal is to align with your core group of collaborators, who understand your vision and aesthetics. I usually show them visual material of… — Marc Forster Copy Share
I thought it would be easy to cast a Bond girl, because there are so many beautiful women in this world. But not many… — Marc Forster Copy Share
When you boil it down, it's all a visual expression. In a sense we are all storytellers through what we wear, who we want… — Marc Forster Copy Share
I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I… — Marc Forster Copy Share
Three days after my brother died, my father was in the hospital. He just did not want to live anymore. Before, he was fighting… — Marc Forster Copy Share
I always try to stay objective, and to remove myself from the process and look at the film again. — Marc Forster Copy Share
I think directing is part play, part work, not just all work, because I think you always have to play. I think that's ultimately… — Marc Forster Copy Share
I don't see myself as having made the transition. I aim to be more transient than transitional. Life is constantly changing, now at a… — Marc Forster Copy Share
One of the main reasons I wanted to work on 'World War Z' was because I'm a huge fan of the book, and I… — Marc Forster Copy Share
