When I make film music, I'm a filmmaker first and foremost. It's about serving the needs of the film. You're telling a story; in a way, you stop becoming a composer and become a storyteller instead. You tell the story… — Johann Johannsson Copy Share Image
I have a Yamaha YC-45D organ in my studio. It's actually Terry Riley's favorite keyboard, so if you find old clips of him on… — Johann Johannsson Copy Share Image
I try not to obfuscate or to be to obscure or to be too cerebral. I like to work on a visceral, emotional level. — Johann Johannsson Copy Share Image
I very much enjoy working with talented filmmakers who have a good sense for music, who have a strong feel for music and for… — Johann Johannsson Copy Share Image
I think my music is a way of communicating very directly with people and with people's emotions. I try to make music that doesn't… — Johann Johannsson Copy Share Image
I always do very detailed demos. I feel that it's better to show the director a demo that sounds as close to the final… — Johann Johannsson Copy Share Image
'Orphee' is, for me, about changes: about moving to a new city, leaving behind an old life in Copenhagen, and building a new one… — Johann Johannsson Copy Share Image
I am not very extreme in my life. But I'm very attracted to art that works with extremes and works with limits, that transgresses… — Johann Johannsson Copy Share Image
Even when I was studying piano, I always preferred to play around with my own improvisations rather than do my studies. So I've always… — Johann Johannsson Copy Share Image
I tend to spend quite a lot of time on the film scores that I do. — Johann Johannsson Copy Share Image
