A movie is like a city. There's, like, 150 people working, and it's all because of something that came out of your head. — Michael Connelly Copy Share Image
I think there has to be an empathic strike between the reader and the protagonist. There has to be something said or… — Michael Connelly Copy Share Image
When I write about places in L.A. - like where the best taco truck is or something - it's not about L.A.… — Michael Connelly Copy Share Image
It's about being fair. It's about Black Lives Matter. Yes, they matter. Everybody counts or nobody counts, and I think if more cops had… — Michael Connelly Copy Share Image
“Someone’s coming.” Terry McCaleb looked at his wife and then followed her eyes down to the winding road below. He could see the golf… — Michael Connelly Copy Share Image
“There is no end of things in the heart. Somebody once told me that. She said it came from a poem she believed in.… — Michael Connelly Copy Share Image
I chose deliberately for Harry Bosch to age chronologically with the books. — Michael Connelly Copy Share Image
“Are you okay?” he asked. “I’m fine, yeah,” she said. She wiped tears off her cheeks. “Somebody who totally fucked me over died today,”… — Michael Connelly Copy Share Image
“At the bottom of the hill, after Boston College, the route passes St. Ignatius Church on the right. It was here that textile worker… — Michael Connelly Copy Share Image
“He said no. He said, in very fine English, ‘I buy, I don’t sell.’ Then he escorted me out. But I think that was… — Michael Connelly Copy Share Image
“Living in L.A. sometimes felt like you were riding shotgun with the devil to the apocalypse.” — Michael Connelly Copy Share Image
“The paying jobs were few and she was often taken advantage of by the leeches who were part of the entertainment industry. But she… — Michael Connelly Copy Share Image
“Lean in, invade that foot and a half that is all theirs, their own space. Lean back when you get what you want. It’s… — Michael Connelly Copy Share Image
