Some directors don't get involved in the cinematography and are just about story, but I'm definitely more tactile than that in terms… — Cary Fukunaga Copy Share Image
The anticipation-speculation that comes with a weekly schedule is a double-edged sword. Because people have more time to talk about things, some… — Cary Fukunaga Copy Share Image
An eight-hour movie is definitely not a two-hour movie. An eight-hour movie is really like five independent films, if you think about… — Cary Fukunaga Copy Share Image
In terms of tackling different subjects, I can't really think of anything I wouldn't want to try; that's the fun of it… — Cary Fukunaga Copy Share Image
The only pressure is the pressure I put on myself, that's up to be I guess to mitigate that. I think there's always pressure… — Cary Fukunaga Copy Share Image
One of the great things about working with Focus is that you're never forced, especially with a film with low budget. The pressure is… — Cary Fukunaga Copy Share Image
When I see an image in my head that compels me, where there's this mystery about what's going to happen next or could happen… — Cary Fukunaga Copy Share Image
I wrote my first script, which was 50 pages, at age 15. It was about two brothers in love with the same nurse while… — Cary Fukunaga Copy Share Image
I think the only reason people use PCs is because they have to. Mac is the most streamlined computer there is. I started using… — Cary Fukunaga Copy Share Image
If you think of most murders as being between people who know each other, it's very easy to figure out who the killer is.… — Cary Fukunaga Copy Share Image
I've written immense love letters that are supposed to be opened over days at a time. — Cary Fukunaga Copy Share Image
I started writing stories when I was 9 or 10. I wrote my first screenplay-type document when I was 14. — Cary Fukunaga Copy Share Image
It's nice to represent to other people in the world that Americans actually do know what's happening in the world, can speak other languages… — Cary Fukunaga Copy Share Image
