I'm in a constant conflict about having to make a movie for the big and the small screen at the same time, stylistically. So I just basically make it for the large screen. — Robert Zemeckis Copy Share Image
Working with actors who are directors is magnificent. Because they understand the art form intimately, and they know exactly how everything works. — Robert Zemeckis Copy Share
'I Wanna Hold Your Hand' and 'Used Cars' were absolute failures at the box office. Complete disasters. I learned some sad news: it's not… — Robert Zemeckis Copy Share
From where I sit, I see the digital cinema creating sloppiness on the part of filmmakers because they know if they really get in… — Robert Zemeckis Copy Share
The thing that's interesting about wire walking is that we never get to see it other than looking up. It's like a circus thing.… — Robert Zemeckis Copy Share
Most actors that I work with are wonderful. Jodie Foster or Tom Hanks will make anything work. — Robert Zemeckis Copy Share
I'm really tired of making these huge, over-$100 million movies where they literally mean life and death for a studio. It's really rough making… — Robert Zemeckis Copy Share
Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make… — Robert Zemeckis Copy Share
In the next couple of years, part of every film's process is going to be to adjust the images. And it'll be to change… — Robert Zemeckis Copy Share
When they invented the Steadicam, every movie had to have a fight in a stairwell. Whenever there's a new thing, it's abused until artists… — Robert Zemeckis Copy Share
I think the thing that I love the most about working in the digital cinema is that you're only limited in your cinematic technique… — Robert Zemeckis Copy Share
I'm in a constant conflict about having to make a movie for the big and the small screen at the same time, stylistically. So… — Robert Zemeckis Copy Share
