And suddenly, it's as if there's no one in the world but these two, crashing through space to reach each other. They collide, enfold, lose their balance, and slam against a wall, where they stay. Clinging into one being. Indivisible. — Suzanne Collins Copy Share Image
Finnick!" Something between a shriek and a cry of joy. A lovely if somewhat bedraggled young woman--dark tangled hair, sea green eyes--runs toward us in nothing but a sheet. "Finnick!" And suddenly, it's as if there's no one in the… — Suzanne Collins Copy Share Image
It's amazing to see things that are suggested in the book fully developed and so brilliantly realized through the artistry of the designers. — Suzanne Collins Copy Share Image
A furious Peeta hammers Haymitch with the atrocity he could become party to, but I can feel Haymitch watching me. This is the moment,… — Suzanne Collins Copy Share Image
“The same goes for the other captured tributes, Johanna and Enobaria.” — Suzanne Collins Copy Share Image
I don't know how to say it exactly. Only...I want to die as myself. Does that make any sense?' he asks. I shake my… — Suzanne Collins Copy Share Image
He never lets go of Annie's hand. Not when they walk, not when they eat. I doubt he ever plans to. — Suzanne Collins Copy Share Image
“I want to interrupt the taping and beg Finnick’s forgiveness for every false thought I’ve ever had about him.” — Suzanne Collins Copy Share Image
I pound on the glass, screaming my head off. Everyone ignores me except for some Capitol attendant who appears behind me and offers me… — Suzanne Collins Copy Share Image
Because it doesn't matter anymore, and because I'm so desperately lonely I can't stand it. — Suzanne Collins Copy Share Image
“¡Es que no quiero que me conozcan! ¡Ya me están quitando el futuro! ¡No pueden llevarse también lo que me importaba en el pasado!” — Suzanne Collins Copy Share Image
“I act delighted, but I have zero interest in these Capitol people. They are only distractions from the food.” — Suzanne Collins Copy Share Image
Mostly we just add to the piles of rainbow glass that's been blown off the exteriors of the cany-colored buildings. — Suzanne Collins Copy Share Image
You're punishing him over and over for things that are out of his control. Now, I'm not saying you shouldn't have a fully loaded… — Suzanne Collins Copy Share Image
“But the significant difference between Thirteen and the Capitol are the expectations of the populace. Thirteen was used to hardship, wheras in the Capitol,… — Suzanne Collins Copy Share Image
