Are you, are you coming to the tree? Wear a necklace of rope, side by side with me. Strange things did happen… — Suzanne Collins Copy Share Image
It means we're on your side." That's what Bonnie said. I have people on my side? What side? Am I unwittingly the… — Suzanne Collins Copy Share Image
Gale and I were thrown together by a mutual need to survive. Peeta and I know the other's survival means our own… — Suzanne Collins Copy Share Image
I shift on to my side and find myself looking directly into Gale's eyes. For an instant the world recedes and there… — Suzanne Collins Copy Share Image
Behind a rack of framed photos of Snow, we encounter a wounded Peacekeeper propped up against a strip of brick wall. He… — Suzanne Collins Copy Share Image
When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim's warmth but finding only… — Suzanne Collins Copy Share Image
Peeta and I had adjoining cells in the Capitol. We're very familiar with each other's screams.” Annie, who's on Johanna's other side,… — Suzanne Collins Copy Share Image
I search his eyes for the slightest sign of anything, fear, remorse, anger. But there's only the same look of amusement that… — Suzanne Collins Copy Share Image
The question is, what are you going to do?" It turns out the question that's been eating away at me has only… — Suzanne Collins Copy Share Image
My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother… — Suzanne Collins Copy Share Image
I swing my arms to loosen myself up. Place my fists on my hips. then drop them to my sides. Saliva's filling… — Suzanne Collins Copy Share Image
Peeta crouches down on the other side of her and strokes her hair. When he begins to speak in a soft voice,… — Suzanne Collins Copy Share Image
Four people wheel out a huge wedding cake from a side room. Most of the guests back up, making way for this… — Suzanne Collins Copy Share Image
I begin to fully understand the lengths to which people have gone to protect me. What I mean to the rebels. My… — Suzanne Collins Copy Share Image
“You think I'm heartless." "I know you're not. But I won't tell you it's okay," I say. Now he draws back, almost… — Suzanne Collins Copy Share Image
It's amazing to see things that are suggested in the book fully developed and so brilliantly realized through the artistry of the designers. — Suzanne Collins Copy Share
A furious Peeta hammers Haymitch with the atrocity he could become party to, but I can feel Haymitch watching me. This is the moment,… — Suzanne Collins Copy Share
I don't know how to say it exactly. Only...I want to die as myself. Does that make any sense?' he asks. I shake my… — Suzanne Collins Copy Share
He never lets go of Annie's hand. Not when they walk, not when they eat. I doubt he ever plans to. — Suzanne Collins Copy Share
“I want to interrupt the taping and beg Finnick’s forgiveness for every false thought I’ve ever had about him.” — Suzanne Collins Copy Share
I pound on the glass, screaming my head off. Everyone ignores me except for some Capitol attendant who appears behind me and offers me… — Suzanne Collins Copy Share
Because it doesn't matter anymore, and because I'm so desperately lonely I can't stand it. — Suzanne Collins Copy Share
“¡Es que no quiero que me conozcan! ¡Ya me están quitando el futuro! ¡No pueden llevarse también lo que me importaba en el pasado!” — Suzanne Collins Copy Share
“I act delighted, but I have zero interest in these Capitol people. They are only distractions from the food.” — Suzanne Collins Copy Share
Mostly we just add to the piles of rainbow glass that's been blown off the exteriors of the cany-colored buildings. — Suzanne Collins Copy Share
You're punishing him over and over for things that are out of his control. Now, I'm not saying you shouldn't have a fully loaded… — Suzanne Collins Copy Share
“But the significant difference between Thirteen and the Capitol are the expectations of the populace. Thirteen was used to hardship, wheras in the Capitol,… — Suzanne Collins Copy Share
