If only we could persuade galleries to observe a fallow period in which, for two months every other year, new and old… — Jerry Saltz Copy Share Image
Of all the biennials, triennials, quadrennials, internationals, and massive group shows, Documenta, established in 1955 and held once every five years in… — Jerry Saltz Copy Share Image
Almost all institutions own a lot more art than they can ever show, much of it revealing for its timeliness, genius, or… — Jerry Saltz Copy Share Image
Kinkade's paintings are worthless schmaltz, and the lamestream media that love him are wrong. However, I'd love to see a museum mount… — Jerry Saltz Copy Share Image
I see 30 to 40 gallery shows a week, and no matter what kind of mood I'm in, no matter how bad… — Jerry Saltz Copy Share Image
I am all for art's finding a large audience. But the way that's happening now, with big works filling big galleries and… — Jerry Saltz Copy Share Image
A sad fact of life lately at the Museum of Modern Art is that when it comes to group shows of contemporary… — Jerry Saltz Copy Share Image
I don't often go to curator or artist walk-throughs of exhibitions. For a critic, it feels like cheating. I want to see… — Jerry Saltz Copy Share Image
'Summer of Love: Art of the Psychedelic Era,' the Whitney Museum's 40th-anniversary trip down counterculture memory lane, provides moments of buzzy fun,… — Jerry Saltz Copy Share Image
Urs Fischer specializes in making jaws drop. Cutting giant holes in gallery walls, digging a crater in Gavin Brown's gallery floor in… — Jerry Saltz Copy Share Image
When the purse strings tighten up at museums, the institutions usually cut back and cancel shows. That's exactly the wrong reaction. In… — Jerry Saltz Copy Share Image
If the Frieze Art Fair catches on, I imagine at least two great things happening. First, we will once again have a… — Jerry Saltz Copy Share Image
Living and working for four decades in a Bologna apartment and studio he shared with his unwed sisters, Morandi painted little but… — Jerry Saltz Copy Share Image
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good… — Jerry Saltz Copy Share Image
I'm noticing a new approach to art making in recent museum and gallery shows. It flickered into focus at the New Museum's… — Jerry Saltz Copy Share Image
I see around 100 shows a month, going from Niketown-size palaces where you feel like yelling, to storefronts in Bushwick. Each has… — Jerry Saltz Copy Share Image
I wish I could write about shows outside New York. I often feel like the last person to know anything, because I… — Jerry Saltz Copy Share Image
One argument goes that recessions are good for female artists because when money flies out the window, women are allowed in the house. The… — Jerry Saltz Copy Share
Kinkade estimated that one of his paintings hung in every twenty homes in America. Yet the art world unanimously ignores or reviles him. Me… — Jerry Saltz Copy Share
The German ueber-photographer Andreas Gursky was the perfect pre-9/11 artist. — Jerry Saltz Copy Share
The debut show, “Second Lives: Remixing the Ordinary,” is supposed to be about how artists reuse humble or unusual materials. There’s good work here,… — Jerry Saltz Copy Share
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and… — Jerry Saltz Copy Share
Those who love him love that he sells the most art; they take it as a point of faith that this proves Kinkade is… — Jerry Saltz Copy Share
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and… — Jerry Saltz Copy Share
I love art dealers. In some ways, they're my favorite people in the art world. Really. I love that they put their money where… — Jerry Saltz Copy Share
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic… — Jerry Saltz Copy Share
Many things happened in the sixties, but the period is no more significant, better, or more 'political' than today. It's time to turn the… — Jerry Saltz Copy Share
When people in stadiums do the Wave, it's the group-mind collective organism spontaneously organizing itself to express an emotion, pass time, and reflect the… — Jerry Saltz Copy Share
Few contemporary artists mined the space between the ordinary and the strange better than Orozco did. — Jerry Saltz Copy Share
The giant white cube is now impeding rather than enhancing the rhythms of art. It preprograms a viewer's journey, shifts the emphasis from process… — Jerry Saltz Copy Share
Art schools are partly the villain here. (Never mind that I teach in them.) This generation of artists is the first to have been… — Jerry Saltz Copy Share
There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The… — Jerry Saltz Copy Share
