I learned to not separate writing, shooting, and editing, it's all sort of one big mess of creative output. — David Lowery Copy Share Image
The only part of 'A Ghost Story' that was reactionary was a temporal one. I had spent so much time making 'Pete's Dragon' that I was really impatient and excited to make something new. When this project presented itself, I… — David Lowery Copy Share Image
I certainly did not envisage making a Disney movie. The most I hoped for was to be able to pay my bills. I was… — David Lowery Copy Share Image
Virginia Woolf's literature really transformed my own ideas about how to formally represent the passage of time and how time affects us. Specifically, the… — David Lowery Copy Share Image
There is a palpable sense of history in the homes that I choose to occupy. I think that's one of the reasons I gravitate… — David Lowery Copy Share Image
It's something that you pick up at a history class in college, the idea that history and time is something to which we can't… — David Lowery Copy Share Image
The relationships I've had with animals are often some of the most profound. That's why you cry when a dog dies in a movie.… — David Lowery Copy Share Image
I find myself very attached to the places I live, and moving is never easy for me. — David Lowery Copy Share Image
I have a repository of titles I like in my head, and I am always looking for a movie that I can put one… — David Lowery Copy Share Image
No two people who make a movie on a certain budget scale are going to achieve the same thing because it just depends on… — David Lowery Copy Share Image
'Ain't Them Bodies Saints' wound up becoming a love story even though it was not initially meant to be one. — David Lowery Copy Share Image
I love film criticism as an art. I think it's a very important thing. — David Lowery Copy Share Image
I think, with 'St. Nick,' when you're working with a smaller budget, you have fewer risks involved. You're able to take chances with style… — David Lowery Copy Share Image
