I wanted to create a book that was unafraid of black bodies, yet super interested in thinking about the relationship of love to body and sexuality without relying on tired understandings of "gay" "bi" or "straight." — Kiese Laymon Copy Share Image
I allude to Back to the Future in the 1985 story to let folks know it was an inspiration and because it literally was… — Kiese Laymon Copy Share Image
“I lie in a bathtub of cold water, still sweating and singing love songs to myself. I put the gun to my head and… — Kiese Laymon Copy Share Image
I'm a black writer from Mississippi. That's what I most consider myself. — Kiese Laymon Copy Share Image
In essay writing, I'm trying to push the form of expository writing. I'm trying to remember, trying to reckon, trying to find connections with… — Kiese Laymon Copy Share Image
I wish every American explored the importance of novel writing, identity, honesty, character and place in fresh-ass ways. — Kiese Laymon Copy Share Image
“I swear that white folks need to just shut the hell up sometimes. Y'all make it hard for everybody.” — Kiese Laymon Copy Share Image
Long Division has a lot of Afrosurrealist impulses. I think the book was more Afrofuturist when it was like 700 pages. — Kiese Laymon Copy Share Image
“Y'all taught me that unacknowledged scars accumulated in battles won often hurt more than battles lost.” — Kiese Laymon Copy Share Image
First of all, the novel should be a critique of the novels that have come before it in a language that broadens the audience… — Kiese Laymon Copy Share Image
I'm also, than anything else, a teacher and a student. And without the four hours, I'm pretty monsterish. For real. — Kiese Laymon Copy Share Image
I'm an obsessive writer who needs and loves revision. Writing helps me learn and helps me teach. — Kiese Laymon Copy Share Image
I'm accountable - this sounds emo - to black American writing, Southern writing, Southern black American writing, American writing and my people. That's kind… — Kiese Laymon Copy Share Image
