There is something about the light, the heat (physical and perhaps metaphysical), the vibrancy of street life, and the rawness and disjointedness of much of the tropical world that has moved and disturbed me - in places where the indigenous… — Alex Webb Copy Share Image
Color is very much about atmosphere and emotion and the feel of a place. — Alex Webb Copy Share Image
I only know how to approach a place by walking. For what does a street photographer do but walk and watch and wait and… — Alex Webb Copy Share Image
My understanding – of course, I’m not a philosopher or a scientist – of an aspect of Goethe’s theory of color is that he… — Alex Webb Copy Share Image
I have always felt that a lot of the most interesting work, not just mine but other people's, falls into [the] nether area, somewhere… — Alex Webb Copy Share Image
To a certain extent what I do is play with the world, but it's disciplined play. — Alex Webb Copy Share Image
I'm always playing along that line: adding something more, yet keeping it sort of chaos. — Alex Webb Copy Share Image
I mean its an obsession, you follow the obsession but at the same time you have so many doubts, you know. Why am I… — Alex Webb Copy Share Image
Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much… — Alex Webb Copy Share Image
Ultimately, the reward is the process - the process of photographing and discovering and trying to understand why and what am I photographing. — Alex Webb Copy Share Image
It's not just that that and that exists. It's that that, that, that, and that all exist in the same frame. I'm always looking… — Alex Webb Copy Share Image
Running through a lot of traditional photojournalism there is an overwhelming sense of... pictures that say something, that define something. I'm not trying to… — Alex Webb Copy Share Image
The viewer is yet another eye that is part of the compact that makes a photograph what it is. — Alex Webb Copy Share Image