If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from the place in which the work resides. Apart from that condition, any experience of the work… — Richard Serra Copy Share Image
If you reduce sculpture to the flat plane of the photograph, you're passing on only a residue of your concerns... You're not only reducing the sculpture to a different scale for the purposes of consumption, but you're denying the real… — Richard Serra Copy Share Image
If your educe sculpture to the flat plane of the temporal experience of the work. (...) the experience of the work is inseparable from… — Richard Serra Copy Share
I think this, I think basically I'm not interested in people following my work or making work like my work. — Richard Serra Copy Share
If you reduce sculpture to the flat plane of the photograph, you're passing on only a residue of your concerns... You're not only reducing… — Richard Serra Copy Share
Your eye is a muscle, you have to keep it in shape and the more you draw, the more you see. — Richard Serra Copy Share
The thing about rigging is, you can learn it if you become a master rigger but there's no book on rigging. — Richard Serra Copy Share
It could be that people want to consume sculpture the way they consume paintings - through photographs... I'm interested in the experience of sculpture… — Richard Serra Copy Share
Time and movement became really crucial to how I deal with what I deal with, not only sight and boundary but how one walks… — Richard Serra Copy Share
I consider space to be a material. The articulation of space has come to take precedence over other concerns. I attempt to use sculptural… — Richard Serra Copy Share
Everything we choose in life for its lightness soon reveals its unbearable weight. — Richard Serra Copy Share
I think different people have different problems and different relations to the exhibition of their work. — Richard Serra Copy Share
Now when you have administrators deciding what sexuality is, and what's a taboo and what's not in terms of content, you got guys, like,… — Richard Serra Copy Share
I think you always have to find where the boundary is in relation to the context in order to be able to kind of… — Richard Serra Copy Share
I was in analysis and I told my analyst I wanted to be the best sculptor in the world and he said, 'Richard, calm… — Richard Serra Copy Share
Basically, what you really want to do is try to engage the viewer's body relation to his thinking and walking and looking, without being… — Richard Serra Copy Share
