Think about 'GoodFellas': It could be a textbook on how not to write a screenplay. It leans on voice-over at the beginning, then abandons it for a while, then the character just talks right into the camera at the end.… — Taylor Sheridan Copy Share Image
I finished 'Hell or High Water' and started writing 'Wind River' literally the next day. — Taylor Sheridan Copy Share Image
Once I finished 'Sicario,' I knew I wanted to follow it up with 'Hell or High Water.' — Taylor Sheridan Copy Share Image
Sometimes audiences want to see what we're doing to their world. It's our obligation sometimes to reflect it. — Taylor Sheridan Copy Share Image
I think that marriage of music and picture is so vital, especially in a film that's almost exclusively exteriors. — Taylor Sheridan Copy Share Image
To me, a purely good individual or purely bad individual, that's a comic book - that's a fantasy - and I don't do fantasy. — Taylor Sheridan Copy Share Image
I don't know if I've ever met anyone that's purely good or purely evil myself. I think most of us live with some varying… — Taylor Sheridan Copy Share Image
Every writer has written a spec. It's the first thing you write, and it basically stands as a means of, 'Here's an example of… — Taylor Sheridan Copy Share Image
One of the major issues that's constantly batted around Hollywood and the media is my industry's responsibility toward the portrayal of violence. There's the… — Taylor Sheridan Copy Share Image
I work very hard to line up stereotypes and then smash them with a hammer. — Taylor Sheridan Copy Share Image
Unfortunately, there is still much to mine in this world and explore creatively. — Taylor Sheridan Copy Share Image
Don't try and make a movie for someone else. You have to make it for you and trust that you're not that unique. And… — Taylor Sheridan Copy Share Image
You can really examine the suffering and consequences that happen when there's a loss in a family. — Taylor Sheridan Copy Share Image
