But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices. — Jim Coleman Copy Share Image
For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool. — Jim Coleman Copy Share
So, through playing with Cop I realized that there is a potentially interested audience out in the world. — Jim Coleman Copy Share
First, I'm trying to edit down about 7 hours of material which I made prior to the Cop days and find some way to… — Jim Coleman Copy Share
I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson,… — Jim Coleman Copy Share
I do remember being in high school and trying to go to an Outlaws concert, but I was too drunk and ended up in… — Jim Coleman Copy Share
As a kid, I used to go see all the jazz players, Oscar Peterson, Stan Kenton, Dave Brubeck, Dizzy Gillespe. — Jim Coleman Copy Share
I actually went to film school and was making experimental films for a short time, so it wasn't such a leap. — Jim Coleman Copy Share
In scoring, I usually start with a sound or group of sounds, searching out what feels right. — Jim Coleman Copy Share
With Frat House, at times I needed to make music that would reflect what these fraternity brothers might actually listen to, but still keep… — Jim Coleman Copy Share
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music… — Jim Coleman Copy Share
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to… — Jim Coleman Copy Share
