“No subject was more perfectly suited to the loosened formal framework and swift juxtaposition of disparate elements that marked his ‘totally chromatic’ style; and it is generally agreed that in this Representation of (mental) Chaos that style found its most… — Malcolm MacDonald Copy Share Image
“In fact, had there been less discussion of the syntactical construction of Schoenberg’s music, and more of what it says, people might more readily… — Malcolm MacDonald Copy Share Image
“Moses sinks down, in defeat: ‘Unimaginable God, inexpressible thought of many meanings! So I am defeated! So everything I thought was madness and cannot… — Malcolm MacDonald Copy Share Image
“No subject was more perfectly suited to the loosened formal framework and swift juxtaposition of disparate elements that marked his ‘totally chromatic’ style; and… — Malcolm MacDonald Copy Share Image
“It was in Barcelona that Schoenberg composed much of Act II of Moses und Aron. He never required quietness to work—indeed, he preferred to… — Malcolm MacDonald Copy Share Image
“This closely parallels aspects of Wassilly Kandinsky’s own contemporary stage piece Der gelbe Klang (written about 1909 but not published until 1912), which was… — Malcolm MacDonald Copy Share Image
