I do study Marcel Proust, for multiple technical virtuosities but also his swerve, as you say, between characters and in scenes. Certain films can help for that, too, in terms of understanding how multiple conversations at a table, or in… — Rachel Kushner Copy Share Image
I don't really have those kinds of intentions when I write a scene. I try to follow the internal logic of the fiction, rather than make an argument or an assertion. — Rachel Kushner Copy Share Image
“Gloria was still talking, something about how shooting people was in a sense safer than making art, in terms of avoiding serious lapses in… — Rachel Kushner Copy Share Image
“Because I didn't move here to fall in love. The desire for love is universal but that has never meant it's worthy of respect.… — Rachel Kushner Copy Share Image
Authenticity is too big a subject to just toss in with the question about the photographs! — Rachel Kushner Copy Share Image
“We were in separate realities, fast and slow. There is no fixed reality, only objects in contrast.” — Rachel Kushner Copy Share Image
It's really a misconception to identify the writer with the main character, given that the author creates all the characters in the book. In… — Rachel Kushner Copy Share Image
People are complicated. Personally I don't go in for puritanical people. — Rachel Kushner Copy Share Image
I am a rereader. Quality is variety if you wait long enough. Barthes, Baudelaire, Benjamin, Celine, Duras, Faulkner, Fitzgerald, Melville: There is so much… — Rachel Kushner Copy Share Image
“But I had seen, the night I met her, that her beauty was going to leave her like it does all women. For the… — Rachel Kushner Copy Share Image
When I see things in the world that leap out at me, I want to make use of them in fiction. Maybe every writer… — Rachel Kushner Copy Share Image
While it might be true that our reality would suggest that more writers would address these elemental issues of modern life - work, the… — Rachel Kushner Copy Share Image
