We have entered a period of intolerance which combines, as it sometimes does in America, with a sugary taste for euphemism. This conjunction fosters events that go beyond the wildest dream of satire- if satire existed in America anymore; perhaps… — Robert Hughes Copy Share Image
“Most of the time they buy what other people buy. They move in great schools, like bluefish, all identical. There is safety in numbers.… — Robert Hughes Copy Share
The basic project of art is always to make the world whole and comprehensible, to restore it to us in all its glory and… — Robert Hughes Copy Share
A Gustave Courbet portrait of a trout has more death in it than Rubens could get in a whole Crucifixion. — Robert Hughes Copy Share
“In one sense, (Duchamp's) “The Large Glass” is a glimpse into Hell; a peculiarly modernist Hell of repetition and loneliness.” — Robert Hughes Copy Share
“Indeed, the idea that doubt can be heroic, if it is locked into a structure as grand as that of the paintings of Cezanne's… — Robert Hughes Copy Share
One thing is sure: the Sagrada Familia is the first Catholic temple whose bacon was ever saved by Shinto tourism. Not even Gaudi, who… — Robert Hughes Copy Share
For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before –… — Robert Hughes Copy Share
“The World's Fair audience tended to think of the machine as unqualifiedly good, strong, stupid and obedient. They thought of it as a giant… — Robert Hughes Copy Share
What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory… — Robert Hughes Copy Share
On the whole, money does artists much more good than harm. The idea that one benefits from cold water, crusts and debt collectors is… — Robert Hughes Copy Share
Popular in our time, unpopular in his. So runs the stereotype of rejected genius. — Robert Hughes Copy Share
