What I loved about the 1950s is that there is an aesthetic to even the average film. The way the camera is placed, the way characters move, the way you dressed the sets, the respect for craft and actors, I… — Vikramaditya Motwane Copy Share Image
I like the films that gain awareness at the end - a sort of breakout moment. — Vikramaditya Motwane Copy Share Image
My defining moment was when I finally went to Cannes and saw my name along with international filmmakers. — Vikramaditya Motwane Copy Share Image
The more shows that there are, the better it is for the industry. The writers are busy, if the writers are busy, the actors… — Vikramaditya Motwane Copy Share Image
You want your film to be seen by the largest audience and stars help in facilitating that. Star-power does work. — Vikramaditya Motwane Copy Share Image
If we go back to the birth of 'Superman' and 'Batman' in America in the '30s, they were created because of events like the… — Vikramaditya Motwane Copy Share Image
I was born in Mumbai and brought up between Mumbai and Nashik. — Vikramaditya Motwane Copy Share Image
I like to have the actors do their thing. And then brief them what to do differently in take two. — Vikramaditya Motwane Copy Share Image
I have not understood till date why we censor adult films. If someone over 18 can get married, produce children and drive cars, why… — Vikramaditya Motwane Copy Share Image
Trapped' is the story of a guy stuck in an apartment with no food, no water and no electricity, and of his survival based… — Vikramaditya Motwane Copy Share Image
Bombay is the ideal microcosm of India, of that whole sense of inequality where you could have the biggest skyscrapers next to the poorest… — Vikramaditya Motwane Copy Share Image
