Starring Russell Crowe as the Patron of the First Ark, 'Noah' had affronted some Christian literalists with its giant rock men, its weird visions, and the occasionally dark motives of its protagonist. But the film corralled enough religious leaders, including… — Richard Corliss Copy Share Image
In his musicals with Garland, Rooney was the sparkplug for prodigious entrepreneurship - that era's predecessor of the garage band, but with Gershwin tunes… — Richard Corliss Copy Share Image
Hollywood was born schizophrenic. For 75 years it has been both a town and a state of mind, an industry and an art form. — Richard Corliss Copy Share Image
You know it's Oscar season when you see a slew of new movies based on true stories whose resolutions you can find in three… — Richard Corliss Copy Share Image
In 'Blade Runner,' the here is quite enough: a vision of dark, cramped, urban squalor. This is Los Angeles in the year 2019, when… — Richard Corliss Copy Share Image
Every artist undresses his subject, whether human or still life. It is his business to find essences in surfaces, and what more attractive and… — Richard Corliss Copy Share Image
'Ouija' has a steady directorial hand, some attractive young actors who taking the silliness seriously, and few admirable genre elements. It renounces the faux-found-footage… — Richard Corliss Copy Share Image
'Tammy,' the new movie starring, produced, and co-written by Melissa McCarthy, could be an artifact from some alternate universe: the creatures there resemble Earthlings… — Richard Corliss Copy Share Image
'Noah' is about a man whose mission is to obliterate Earth's past and godfather its future. Replacing the word 'God' with 'Creator' and taking… — Richard Corliss Copy Share Image
The lumpiness of 'The Good Lie's progression - from infancy to adulthood, and from ethnic horror to gentle social comedy to a heroic gift… — Richard Corliss Copy Share Image
John Steinbeck's 'The Grapes of Wrath' also speaks urgently to today's concerns: the cratered trail of dreams for Mexican immigrants seeking a promised land in the Western [United States]; the perfidy of banks in foreclosing on poor people's homes; and the insurgent urge of the book's protagonist, Tom Joad, to speak truth to police power. 'Wherever there's a cop beatin'… — Richard Corliss Copy Share
'TIME's spell-check always admonishes me whenever I compose a sentence in the passive voice, a warning that is often ignored by me. — Richard Corliss Copy Share Image
In their plush melodies and plummy platitudes, many Rodgers-and-Hammerstein songs were secular hymns, which so insinuated themselves into the ear of the Eisenhower-era listener that they became the liturgical music for the American mid-century. — Richard Corliss Copy Share
