“SAITO: Care for a lift, Mr. Cobb? COBB: (jumping in) What brings you to Mombasa, Mr. Saito? SAITO: I have to protect my investment. Eames stands on pavement. The car pulls up. Cobb beckons from the rear window. Eames looks… — Christopher Nolan Copy Share Image
In Hollywood there's a great openness, almost a voracious appetite for new people. In England there's a great suspicion of the new. In cultural… — Christopher Nolan Copy Share Image
“COBB: You're waiting for a train. A train that will take you far away. You know where you hope this train will take you,… — Christopher Nolan Copy Share Image
When you play a videogame, you could be a completely different person than you are in the real world, certain aspects of the way… — Christopher Nolan Copy Share Image
The structural notions to me always have to be worked out very carefully in the script stage. Whatever a particular structure is. Whether it's… — Christopher Nolan Copy Share Image
I made 'Batman' the way I made every other film, and I've done it to my own satisfaction - because the film, truly, is… — Christopher Nolan Copy Share Image
The quality of racing continues to excel with starters increasing to 1496,. — Christopher Nolan Copy Share Image
I remember the initial genesis quite clearly. My interest in dreams comes from this notion of realizing that when you dream you create the… — Christopher Nolan Copy Share Image
If I could steal someone's dream myself, I'd have to go for one of Orson Welles. — Christopher Nolan Copy Share Image
To me, any kind of filmmaking that's reactive is not going to be as good as something more inventive and original. — Christopher Nolan Copy Share Image
“(On "Following") We've got a pretty serious claim on being the cheapest film ever made.” — Christopher Nolan Copy Share Image
