The object we call a book is not the real book, but its potential, like a musical score or seed. It exists… — Rebecca Solnit Copy Share Image
The object we call a book is not the real book, but its seed or potential, like a music score. It exists… — Rebecca Solnit Copy Share Image
Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads… — Rebecca Solnit Copy Share Image
For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that… — Rebecca Solnit Copy Share Image
“Georgia O’Keeffe moved to rural New Mexico, from which she would sign her letters to the people she loved, “from the faraway nearby.” It… — Rebecca Solnit Copy Share Image
Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated and isolated, joy is a… — Rebecca Solnit Copy Share Image
“To love someone is to put yourself in their place, we say, which is to put ourself in their story, or figure out how… — Rebecca Solnit Copy Share Image
“People have always been good at imagining the end of the world, which is much easier to picture than the strange sidelong paths of… — Rebecca Solnit Copy Share Image
“Whose maps are we trying to read? And what are we trying to draw? It's so common to live in a place without truly… — Rebecca Solnit Copy Share Image
“I was being cured of soldiering on endlessly: my job was now to be still, which had become almost easy at last.” — Rebecca Solnit Copy Share Image
In the aftermath of 9/11, people had not a good time, but a deep, profound, rousing time, woke up from their ennui and isolation… — Rebecca Solnit Copy Share Image
“I wonder now about Demeter and Persephone. Maybe Persephone was glad to run off with the king of death to his underground realm, maybe… — Rebecca Solnit Copy Share Image
[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the… — Rebecca Solnit Copy Share Image
For me, being in a car or on an airplane is like being in limbo. It's this dead zone between two places. But to… — Rebecca Solnit Copy Share Image
“How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance… — Rebecca Solnit Copy Share Image
Walking shares with making and working that crucial element of engagement of the body and the mind with the world, of knowing the world… — Rebecca Solnit Copy Share Image
![“For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.” quote by Rebecca Solnit](https://sms4smile.com/quotes/img-quotes/654/rebecca-solnit-569_austen_for-jane-austen-and-the-readers-of-pride_2924842.jpg)
![“[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the main point, and those who only wander in high places become part of the story.” quote by Rebecca Solnit](https://sms4smile.com/quotes/img-quotes/1e6/rebecca-solnit-569_high-places_in-mountaineering-if-we-look-for-private_78831.jpg)
