More attention and thought goes into naming a character in 'Call Of Duty' than all the work that can go into certain movies. Blood and sweat and tears go into figuring out the names because they are so important. The… — Stephen Gaghan Copy Share Image
Starting in '98 when I was researching 'Traffic,' I got to meet really serious people in Washington, which for a screenwriter was kind of a great gift. And I really valued these guys; I stayed in touch with them, and… — Stephen Gaghan Copy Share Image
Life serves up satire. Unfortunately. Or fortunately. I don't know. You have to reel it in to drama. — Stephen Gaghan Copy Share Image
More attention and thought goes into naming a character in 'Call Of Duty' than all the work that can go into certain movies. Blood… — Stephen Gaghan Copy Share Image
We are living in complex, difficult times and I wanted Syriana to reflect this complexity in a visceral way, to embrace it narratively. There… — Stephen Gaghan Copy Share Image
It's rare in Hollywood to get the chance to work on something that you actually care about. The tragedy of the place is all… — Stephen Gaghan Copy Share Image
When I was seven and told my mom, 'I'm gonna be a writer,' she said, 'Oh, that's a terrible idea. You'll live in misery… — Stephen Gaghan Copy Share Image
I can't separate the process of writing from the visual process. I'm speaking only for myself here, but I'm a highly visual writer. In… — Stephen Gaghan Copy Share Image
I love the op-ed pages of the 'L.A. Times,' the 'Washington Post' and the 'New York Times.' There's just no substitute for the people… — Stephen Gaghan Copy Share Image
It's tricky to ask a filmmaker to explain his own work; usually we're the least qualified to make sense of what we've done, unfortunately,… — Stephen Gaghan Copy Share Image
I think the War on Terror has succeeded in creating more terror, more terrorists, a less safe America, and a less safe world. — Stephen Gaghan Copy Share Image
The average development time for a Hollywood movie is nine years. Nine years for a studio film. And a lot of what you do… — Stephen Gaghan Copy Share Image
Starting in '98 when I was researching 'Traffic,' I got to meet really serious people in Washington, which for a screenwriter was kind of… — Stephen Gaghan Copy Share Image
