The idea in The Man that Would Be King was that the music should recreate all that majestic surrounding and emphasize the adventure, but also speak about the frustration or, rather said, the curse of both protagonists, even before happened… — Maurice Jarre Copy Share Image
Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that… — Maurice Jarre Copy Share Image
When I was 15, I did not know nothing about what concerned the world of music. — Maurice Jarre Copy Share Image
Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the… — Maurice Jarre Copy Share Image
Some months ago, while I was preparing a new work, I told a young cinema executive my intention of including in a soundtrack two… — Maurice Jarre Copy Share Image
In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to… — Maurice Jarre Copy Share Image
The idea in The Man that Would Be King was that the music should recreate all that majestic surrounding and emphasize the adventure, but… — Maurice Jarre Copy Share Image
For Ryan's Daughter I used a total of eight harps, something that was, at least, weird. — Maurice Jarre Copy Share Image
I began to write a kind of waltz and in a little more than an hour I had the theme written. — Maurice Jarre Copy Share Image
With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between… — Maurice Jarre Copy Share Image
