I wanted to be a police detective. In my work, particularly in documentaries, I am obsessed with finding things out, seeking ever-new… — James Marsh Copy Share Image
I did 'Red Riding,' which is TV in the U.K. It became a feature project in North America, but we're in a… — James Marsh Copy Share Image
I remember from my school days Archimedes jumping into his bath and displacing water and coming up with his famous principle, and of course… — James Marsh Copy Share Image
I wanted to be a police detective. In my work, particularly in documentaries, I am obsessed with finding things out, seeking ever-new facts and… — James Marsh Copy Share Image
Black holes are pretty scary when you ponder them. They seem nihilistic, infinitely destructive on an inconceivable scale, notwithstanding the ideas of Hawking radiation. — James Marsh Copy Share Image
The issue often with films is how it works with money and trying to get a visible movie star presence in the film. — James Marsh Copy Share Image
For a film to be viable, it has to survive this process of scrutiny. I think most filmmakers have obsessive-compulsive tendencies and would be… — James Marsh Copy Share Image
There is a sense of emptiness when you finish any film because you're empty and you can't give anything more to it anymore. — James Marsh Copy Share Image
Usually, with the work I've done, by the end, I usually feel like it's a failure. It doesn't matter how it's received. — James Marsh Copy Share Image
I've always worked very efficiently on small budgets, both in documentaries and in features. — James Marsh Copy Share Image
I did 'Red Riding,' which is TV in the U.K. It became a feature project in North America, but we're in a great era… — James Marsh Copy Share Image
The score, which comes often quite later in a film, can help reinvigorate your emotional engagement with it. — James Marsh Copy Share Image
I love America, but I've now got two young kids and America has changed so much since 9/11 and Bush. It's beyond Orwellian. The… — James Marsh Copy Share Image
