It isn't necessary for a work to have a lot of things to look at, to compare, to analyze one by one,… — Donald Judd Copy Share Image
Actual space is intrinsically more powerful and specific than paint on a flat surface, — Donald Judd Copy Share Image
But I think you have to - whatever the environment looks like, it does enter into people's art work one way or another; it's… — Donald Judd Copy Share Image
I pay a lot of attention to how things are done and the whole activity of building something is interesting. — Donald Judd Copy Share Image
But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of… — Donald Judd Copy Share Image
The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser intensity than a lot… — Donald Judd Copy Share Image
Well, I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right,… — Donald Judd Copy Share Image
Well, there's a morality in that you want your work to be good, I suppose. — Donald Judd Copy Share Image
There's probably more in the American tradition than people give the place credit for. — Donald Judd Copy Share Image
Usually when someone says a thing is too simple, they're saying that certain familiar things aren't there, and they're seeing a couple maybe that… — Donald Judd Copy Share Image
I think most of the art now is involved with a denial of any kind of absolute morality, or general morality. — Donald Judd Copy Share Image
Art and architecture -- all the arts -- do not have to exist in isolation, — Donald Judd Copy Share Image
I think some of the things I deal with Hopper probably has dealt with also, since it's somewhat the same environment and I have… — Donald Judd Copy Share Image
