Poets tend to form loose groups - the "Romantics" or the "Imagists". And sometimes they write manifestoes in the name of these groups. This can be good. It forces the poet and the audience to think. But it can also… — Rae Armantrout Copy Share Image
I am attracted to looking at the different things language can mean even in one sometimes quite ordinary utterance. Writing is partly about listening… — Rae Armantrout Copy Share
People probably long for something genuinely personal in a society where the personal is often indistinguishable from the "personalized." Maybe the poetry audience member… — Rae Armantrout Copy Share
Like most of my poems, 'Lie' has several sources: I read a very troubling book called The Sixth Extinction. I took note of the… — Rae Armantrout Copy Share
Poets tend to form loose groups - the "Romantics" or the "Imagists". And sometimes they write manifestoes in the name of these groups. This… — Rae Armantrout Copy Share
The ghosts swarm. They speak as one person. Each has left something undone. — Rae Armantrout Copy Share
Metaphor is ritual sacrifice. It kills the look-alike. No, metaphor is homeopathy. — Rae Armantrout Copy Share
Carried by light, images remain while sensation is so evanescent as to be always beyond belief. — Rae Armantrout Copy Share
“The feeling of emptiness is a pre-existing condition. Jargon forces intimacy.” — Rae Armantrout Copy Share
Like all my poems, 'Negotiations' has several sources. It deals with aging lovers and the often silent deals they make. Thinking about bargains made… — Rae Armantrout Copy Share
clarity need not be equivalent to / readability. How readable is the world? — Rae Armantrout Copy Share
