It's like an electroacoustic, surround-sound cello gamba. It embodies everything that fascinates me the most - acoustics, playing instruments, digital processing, movement of sound. Somehow, everything is combined in Ómar. — Hildur Gudnadottir Copy Share Image
Singing is something that I have done all my life, but what I did on my first two records was to hide the vocals.… — Hildur Gudnadottir Copy Share Image
There's a lot of electronic surround-sound music, and I've done a lot of work where I write music for other people to move around… — Hildur Gudnadottir Copy Share Image
Music is a very physical experience, and I need to understand things physically to be able to create the narrative for them. — Hildur Gudnadottir Copy Share Image
Joker' is, of course, a character of my generation grew up with, and it's a character you know really well and have strong opinions… — Hildur Gudnadottir Copy Share Image
There are a lot of classical musicians in my family, so I grew up with that being kind of normal. — Hildur Gudnadottir Copy Share Image
There's been a tendency to think that TV music has to be cheap and fast and for films it has to be nothing but… — Hildur Gudnadottir Copy Share Image
I don't really like to work with a large team and assistants, because then I lose so much time explaining things, which I don't… — Hildur Gudnadottir Copy Share Image
Because in both TV and film every story under the sun is being told, and so music shouldn't be restricted to have to follow,… — Hildur Gudnadottir Copy Share Image
You know, I don't like talking about music very much. I have quite the hard time explaining myself. — Hildur Gudnadottir Copy Share Image
I think as you have a more diverse group of people working in the industry, you automatically have more diverse storytelling. That's definitely to… — Hildur Gudnadottir Copy Share Image
I view music mostly as communication, so when I record, I'm communicating to the listener in the future. — Hildur Gudnadottir Copy Share Image
