It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is… — Trentemøller Copy Share Image
Because I'm in a modern studio, there are so many possibilities - you can do so much. So it's sometimes a little bit confusing… — Trentemøller Copy Share Image
I'm very much thinking in music most of the time, but I really would love to start filming because when I was a teenager,… — Trentemøller Copy Share Image
Sometimes, I actually end up doing three or four different versions of one song, and sometimes, those versions can be done very differently. They… — Trentemøller Copy Share Image
For every album, I really try to make an album that you hopefully will listen to from the first track to the last track.… — Trentemøller Copy Share Image
It's pretty much the songs I write that dictate what vibe it should be and what singers it should be. — Trentemøller Copy Share Image
It's very easy to overproduce stuff and you can forget those first spontaneous ideas are often the best ideas. — Trentemøller Copy Share Image
If the melodies are strong, it's much easier to see which way I can take them sound-wise. — Trentemøller Copy Share Image
Even if I don't think in visuals about the music while I'm doing it, after the music is finished, it could be great to… — Trentemøller Copy Share Image
There are some ideas that I know I have to try out before I find the right sound, before I find the right melody. — Trentemøller Copy Share Image
If I was writing a song one night, I would leave the studio and come back the next day, and if I could remember… — Trentemøller Copy Share Image
I really love the fact that instrumental music can have you do your own inner-movies or your own visuals to the sound. There's not… — Trentemøller Copy Share Image
Banging techno grooves from the one and only Ben Sims. Around the time of this was written he had that tribal/funky techno sound that… — Trentemøller Copy Share Image
