When we finally came to start work on this, the joy was it was only Joel and I, we didn't have to answer to anybody, and we didn't have to submit a screen play or anything like that. We just… — Andrew Lloyd Webber Copy Share Image
I think Michael Crawford realised, I think we all realised, once we'd gone the route of casting a very young girl, you can't really… — Andrew Lloyd Webber Copy Share Image
Negative things, and they were all deliberate and I'm not going to say who they were but I know who they were and it… — Andrew Lloyd Webber Copy Share Image
You're the luckiest person in the entire world if you know what you really want to do, which I was lucky enough to know… — Andrew Lloyd Webber Copy Share Image
Two pieces of advice for young composers: Go away during technical rehearsals. And do not have a back operation. — Andrew Lloyd Webber Copy Share Image
“Christine: In sleep he sang to me In dreams he came. That voice which calls to me, And speaks my name. And do I… — Andrew Lloyd Webber Copy Share Image
As a composer at a point where I can absolutely pick and choose what I want to do, I don't want to write about… — Andrew Lloyd Webber Copy Share Image
In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help… — Andrew Lloyd Webber Copy Share Image
I guess we've had a very close relationship because I don't pretend to know about cinema and I think I do know a bit… — Andrew Lloyd Webber Copy Share Image
Nothing will ever be as big as 'The Phantom of the Opera' for me. — Andrew Lloyd Webber Copy Share Image
What strikes me is that theres a very fine line between success and failure. Just one ingredient can make the difference. — Andrew Lloyd Webber Copy Share Image
I've often thought that we left the original 'Phantom' with a little bit of a cliff hanger, and I thought, 'Well, why not to… — Andrew Lloyd Webber Copy Share Image
