It's become almost a cliche at this point that movies in the general sense are the place you go for superheroes and explosions and TV is where you go for actual storytelling. — Alan Sepinwall Copy Share Image
“Milch had a bigger cast, a bigger set (on the Melody Ranch studio, where Gene Autry had filmed very different Westerns decades earlier), and more creative freedom than he’d ever had before. There were no advertisers to answer to, and HBO was far more hands-off than the executives at NBC or ABC had been. And as a result, there was… — Alan Sepinwall Copy Share
“In that season’s finale, Milch wanted Sipowicz — who by this point had suffered the deaths of his eldest son, his partner Bobby, and… — Alan Sepinwall Copy Share Image
“We’d been going home with television every night for years, but suddenly we had reason to respect it in the morning.” — Alan Sepinwall Copy Share Image
It's become almost a cliche at this point that movies in the general sense are the place you go for superheroes and explosions and… — Alan Sepinwall Copy Share Image
“Don hits rock bottom in the series’ finest hour, “The Suitcase,” which is essentially a two-character play about Don and Peggy stuck in the… — Alan Sepinwall Copy Share Image
The closer you get to what's happening in TV now and the ways it's evolving, the more danger you get into. — Alan Sepinwall Copy Share Image
When I watch medical shows or other shows where characters die, it kind of bums me out. — Alan Sepinwall Copy Share Image
“With Milch fully in charge of the writing process — or, in many cases, the rewriting process — it became all-consuming. When Milch and… — Alan Sepinwall Copy Share Image
“Once upon a time, mystery fans had to solve puzzles on their own; now, you not only didn’t need to be the one to… — Alan Sepinwall Copy Share Image
