I find myself every so often looking at my ground glass as though the unrecorded image might escape me! — Edward Weston Copy Share Image
This then: to photograph a rock, have it look like a rock, but be more than a rock. — Edward Weston Copy Share Image
If I have any 'message' worth giving to a beginner it is that there are no short cuts in photography. — Edward Weston Copy Share Image
To compose a subject well means no more than to see and present it in the strongest manner possible. — Edward Weston Copy Share Image
The camera should be used for a recording of life, for rendering the very substance and quintessence of the thing itself, whether… — Edward Weston Copy Share Image
Now, to consult the rules of composition before making a picture is a little like consulting the law of gravity before going… — Edward Weston Copy Share Image
I would say to any artist: Don't be repressed in your work, dare to experiment, consider any urge, if in a new… — Edward Weston Copy Share Image
When subject matter is forced to fit into preconceived patterns, there can be no freshness of vision. Following rules of composition can… — Edward Weston Copy Share Image
When a photographer masters the tools and processes of the art, then the quality of the work is only limited by his… — Edward Weston Copy Share Image
...through this photographic eye you will be able to look out on a new light-world, a world for the most part uncharted… — Edward Weston Copy Share Image
My true program is summed up in one word: life. I expect to photograph anything suggested by that word which appeals to… — Edward Weston Copy Share Image
I want the stark beauty that a lens can so exactly render presented without interference of artistic effect. — Edward Weston Copy Share Image
The photograph isolates and perpetuates a moment of time: an important and revealing moment, or an unimportant and meaningless one, depending upon… — Edward Weston Copy Share Image
Only with effort can the camera be forced to lie: basically it is an honest medium: so the photographer is much more… — Edward Weston Copy Share Image
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print.… — Edward Weston Copy Share Image
Modern Art is being used to index me. Surely it was a source but photographers have influenced Modern Art quite as deeply… — Edward Weston Copy Share Image
The fact is that relatively few photographers ever master their medium. Instead they allow the medium to master them and go on… — Edward Weston Copy Share Image
Arguments against photography ever being considered a fine art are: the element of chance which enters in, — finding things ready-made for… — Edward Weston Copy Share Image
The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour… — Edward Weston Copy Share Image
Now one does not think during creative work: any more than one thinks when driving a car. One has a background of… — Edward Weston Copy Share Image
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just… — Edward Weston Copy Share Image
I start with no preconceived idea - discovery excites me to focus - then rediscovery through the lens - final form of… — Edward Weston Copy Share Image
In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In… — Edward Weston Copy Share Image
Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man. — Edward Weston Copy Share Image
...the pepper is beginning to show signs of strain, and tonight should grace a salad. It has been suggested that I am… — Edward Weston Copy Share Image
I don't care if you make a print on a bath mat, just as long as it is a good print. — Edward Weston Copy Share Image
Since the recording process is instantaneous, and the nature of the image such that it cannot survive corrective handwork, it is obvious that the… — Edward Weston Copy Share Image
for the obvious reason that nature - unadulterated and unimproved by man - is simply chaos. In fact, the camera proves that nature is… — Edward Weston Copy Share Image
Now one does not think during creative work: any more than one thinks when driving a car. One has a background of years —… — Edward Weston Copy Share Image
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is… — Edward Weston Copy Share Image
…so called “composition” becomes a personal thing, to be developed along with technique, as a personal way of seeing. — Edward Weston Copy Share Image
Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or… — Edward Weston Copy Share Image
An excellent conception can be quite obscured by faulty technical execution or clarified by faultless technique. — Edward Weston Copy Share Image
I would say to any artist: Don't be repressed in your work, dare to experiment, consider any urge, if in a new direction all… — Edward Weston Copy Share Image
Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man. — Edward Weston Copy Share Image
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk. — Edward Weston Copy Share Image
