“Insisting that his writing did not offer a philosophy of life, Hardy claims that each poem was an ‘impression’, intensely subjective and evanescent.” — Geoffrey Harvey Copy Share Image
“The 1980s witnessed radical advances in the theorisation of the study of literature in the universities. It had begun in France in the 1960s and it made a large impact on the higher education establishments of Britain and America. New… — Geoffrey Harvey Copy Share Image
“Hardy classified A Pair of Blue Eyes among ‘Romances and Fantasies’. A favourite of Tennyson, its melancholy treatment of youth, love and death is… — Geoffrey Harvey Copy Share Image
“In his Preface to the 1892 edition of Tess of the d’Urbervilles Hardy warns the reader that ‘a novel is an impression, not an… — Geoffrey Harvey Copy Share Image
“Extremely self-conscious in its craft, in many ways The Hand of Ethelberta is an exploration of fiction as illusion, which involves parody of the… — Geoffrey Harvey Copy Share Image
“Hardy’s poetry is pre-eminently about ways of seeing. This is evident in the numerous angles of vision he employs in so many poems. Sometimes… — Geoffrey Harvey Copy Share Image
“An important dimension of Tess of the d’Urbervilles is its debt to the oral tradition; to stories about wronged milkmaids, tales of superstition, and… — Geoffrey Harvey Copy Share Image
“Hardy’s astonishing technical versatility has won the admiration of major poets from Ezra Pound and Cecil Day Lewis to Philip Larkin. Among other genres… — Geoffrey Harvey Copy Share Image
“However, for Hardy the possibility of poetry’s traditional function of transcendence remains, but in a more limited form. In Hardy’s work the poet transcends… — Geoffrey Harvey Copy Share Image
“The ideology of liberal humanism found expression in the earliest reviews of Hardy’s writing and remained a dominant force until the explosion of literary… — Geoffrey Harvey Copy Share Image
“A turning point in the criticism of Hardy’s poetry came in his centenary year, in which W. H. Auden (1940) recorded his indebtedness to… — Geoffrey Harvey Copy Share Image
“The setting, concerns, and mood of The Woodlanders are consonant with the Wessex of the earlier novels. There is an element of nostalgia in… — Geoffrey Harvey Copy Share Image
“Insisting that his writing did not offer a philosophy of life, Hardy claims that each poem was an ‘impression’, intensely subjective and evanescent.” — Geoffrey Harvey Copy Share Image
“Tess is not simply presented as a passive victim, however. Throughout the novel she is shown as experiencing tension between the intractable materiality of… — Geoffrey Harvey Copy Share Image
