Sometimes we make films just for our people, and it doesn't reach to anyone. — Garth Davis Copy Share Image
I'm very drawn to the human condition and the emotional aspects of stories. It's what's not on the page that I get excited about. — Garth Davis Copy Share
I love going to the cinema and thinking you're seeing something, and you end up on a whole other planet, and you can't believe… — Garth Davis Copy Share
I want to do stories that really move me, that have an audience, and at the end of the day, I want people to… — Garth Davis Copy Share
My whole approach is very much about using the locations as a world, trying to find the beauty in the time of day we… — Garth Davis Copy Share
I've always just focused on the work, and I've just tried to be honest with the work. If the work speaks to people, fantastic. — Garth Davis Copy Share
Most of the available Indian films in Australia are Bollywood. I did not watch them. In my early days, I watched Satyajit Ray's 'Apu… — Garth Davis Copy Share
I like to be involved with the scriptwriter early on, helping shape the story, and working out how the story can be told directorially. — Garth Davis Copy Share
I definitely storyboard, but I only start once I have cast and location. I like to find the world first. — Garth Davis Copy Share
There's no doubt that 'Lion' is an audience pleaser. I mean, I went to a lot of research screenings all over, in London and… — Garth Davis Copy Share
I'm just trying to approach what I make with as much respect and research as I can, and just make it with a good… — Garth Davis Copy Share
I always want to work on things that really scare me and interest me at the same time, and you know, I definitely had… — Garth Davis Copy Share
“As Michael Pollan, author of the bestselling The Omnivore’s Dilemma, so eloquently puts it, “Eat food. Not too much. Mostly plants.” The” — Garth Davis Copy Share
“Compare that to the inhabitants of the island of Okinawa. They consume the vast majority of their calories in the form of rice and… — Garth Davis Copy Share
