We grow up with certain cultural references but we need empathy to understand other people. — Santhosh Narayanan Copy Share Image
I was unsure if people would like the music of Kabali' and had even booked tickets to Sydney on the day of its release. I didn't want people to come and throw stones at my house! — Santhosh Narayanan Copy Share Image
Spending a lot of time in London not only gave me inspiration, but also the opportunity to meet in person some great collaborators, who… — Santhosh Narayanan Copy Share Image
'Mercury' being a silent film needed a strong background score that could give you chills down the spine. — Santhosh Narayanan Copy Share Image
I am delighted to be joining hands with Colors Tamil for a path breaking show like Singing Stars' and this is an exciting way… — Santhosh Narayanan Copy Share Image
'Kolamey' is very special to me as it was created in total isolation and I could reinvent myself and travel back to my older… — Santhosh Narayanan Copy Share Image
I have no fears or inhibitions while composing. It's a way of expressing myself. — Santhosh Narayanan Copy Share Image
There are several forms of oppari, but cinema largely uses only one format. — Santhosh Narayanan Copy Share Image
My biggest inspiration was the music of Slumdog Millionaire.' The music that Rahman tried had such an Indian sound, but that didn't stop it… — Santhosh Narayanan Copy Share Image
I listen to my songs so many times that I tend to lose objectivity. After I hear a tune around 30 times, I keep… — Santhosh Narayanan Copy Share Image
Music is an essential part of any film, but when it comes to Mercury' it actually became a medium of communication. — Santhosh Narayanan Copy Share Image
Music helps many to channelize energy into creating beautiful things and push boundaries. — Santhosh Narayanan Copy Share Image
