I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could… — Faith Adiele Copy Share
I do find that people are incredibly naive about what it is to be a writer. Like you would pay an incredible amount of money for an MFA program and still not have the slightest idea of how one goes about becoming a writer. So, I'm always flabbergasted when people say, "Oh, I was invited to do a reading, but… — Faith Adiele Copy Share
I have a theory that, for people of color or others who have been cut out of the master narrative, just telling your personal survival tale, your story, is civic engagement. It is a kind of political performance and is really crucial in that storytelling is how the writers connect with people and change. It's how we collect and add… — Faith Adiele Copy Share
I you're writing memoir, but it even comes up in fiction. People just assume that you're writing thinly veiled autobiography. And particularly, I think, for people of color, our work is always seen as kind of anthropological artifact regardless. So, there's always going to be that assumption, but even more so in a memoir because often the names aren't even… — Faith Adiele Copy Share
I see a lot of people who have amazing stories but have been told that their work, their lives, and their stories and not the stuff of literature. Or they're first-generation college student, first-generation American, and their family just doesn't understand the art world. They have a lot of guilt. "We came all the way from [wherever] so you could… — Faith Adiele Copy Share
I do find that people are incredibly naive about what it is to be a writer. Like you would pay an incredible amount of money for an MFA program and still not have the slightest idea of how one goes about becoming a writer. So, I'm always flabbergasted when people say, "Oh, I was invited to do a reading, but… — Faith Adiele Copy Share
I have a theory that, for people of color or others who have been cut out of the master narrative, just telling your personal survival tale, your story, is civic engagement. It is a kind of political performance and is really crucial in that storytelling is how the writers connect with people and change. It's how we collect and add… — Faith Adiele Copy Share
“I think that the individual cannot exist in a vacuum. Cannot exist in isolation. He is the member of a tribe, a church, a family, a political party or a social club. He is influenced by these things and does himself influence them. We don't live for ourselves. We live for others. Perhaps in the African scale of values, freedom… — Faith Adiele Copy Share
I you're writing memoir, but it even comes up in fiction. People just assume that you're writing thinly veiled autobiography. And particularly, I think, for people of color, our work is always seen as kind of anthropological artifact regardless. So, there's always going to be that assumption, but even more so in a memoir because often the names aren't even… — Faith Adiele Copy Share
When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre… — Faith Adiele Copy Share Image
“I am a new generation of Africans. We believe in the future role of that continent. We are convinced it has a destiny and… — Faith Adiele Copy Share Image
“Optimistic, because even though the year of Obama's birth Herbert Lee, a black farmer with nine children, was shot in the head for trying… — Faith Adiele Copy Share Image
