I have to write a first draft with a fountain pen before I type it up as a second. — Colm Toibin Copy Share Image
I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room. — Colm Toibin Copy Share Image
I first went to Barcelona in 1975 after university, and I stayed for three years. I learnt Catalan because that's what everyone speaks in… — Colm Toibin Copy Share Image
Suffering is too strong a word, but writing is serious work. I pull the stuff up from me - it's not as if it's… — Colm Toibin Copy Share Image
Three of my novels and a good number of my short stories are told from the point of view of men. I was brought… — Colm Toibin Copy Share Image
It may be enough to study history in all its nuance and ambiguity for its own sake. But there is no country free of… — Colm Toibin Copy Share Image
The only routine I have is that I finish everything I start. I wake up early every day - about 6.30 A.M. - but… — Colm Toibin Copy Share Image
While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies… — Colm Toibin Copy Share Image
John McGovern taught me that it's OK to write repeatedly about the same things. — Colm Toibin Copy Share Image
Some of our loves and attachments are elemental and beyond our choosing, and for that very reason they come spiced with pain and regret… — Colm Toibin Copy Share Image
Solitude is good in the evening. Dublin is a quiet city when you get to a certain age, when your friends settle down and… — Colm Toibin Copy Share Image
“The details of what I told him were with me all the years in the same way as my hands or my arms were… — Colm Tóibín Copy Share Image
I did think of becoming a priest quite late on, when other boys were thinking of knocking over fences and going out with girls.… — Colm Toibin Copy Share Image
“Here in this cemetery, which they began to stroll around once more, the state of not-knowing and not-feeling which belonged to the dead seemed… — Colm Tóibín Copy Share Image
“I don’t go in for change. It is not one of my subjects. I have always taken the view that noticing change is a… — Colm Tóibín Copy Share Image
“There will always be reservations, things one must leave out, events one can’t explain without handing over a full map of one’s life, unfolding… — Colm Tóibín Copy Share Image
