I shot [Dream of Life] all on 16-millimeter, and I just wanted to learn about Patti [Smith]. — Steven Sebring Copy Share Image
Fashion's been really good to me. It financed Patti Smith: Dream of Life. — Steven Sebring Copy Share Image
I took pictures of the objects and artifacts that Patti [Smith] would show to her friends because I wanted to document them. — Steven Sebring Copy Share Image
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti. — Steven Sebring Copy Share Image
I just wanted to be Patti's [Smith] messenger and get her word out there. — Steven Sebring Copy Share Image
I was making a film [Dream of Life] about Patti [Smith], but I was taking pictures, too. — Steven Sebring Copy Share Image
I do remember, the first time we met [with Patti Smith], the door opening with a squeak. And then there was this… — Steven Sebring Copy Share Image
When I started photographing Patti [Smith], I knew that there wasn't a whole a lot of information out there about her. I… — Steven Sebring Copy Share Image
She let me in during her tour, in London. Her band members - especially Lenny Kaye - were shocked at the fact… — Steven Sebring Copy Share Image
Patti [Smith] was my experiment, to be honest. And the film is what we got out of it. At the end of… — Steven Sebring Copy Share Image
I wasn't familiar with Patti [Smith ]much at all. When I was asked to photograph her, my wife said, "Oh my God,… — Steven Sebring Copy Share Image
Hopefully I can inspire lots of people to learn about [Patti Smith], to read poetry or learn about William Blake or Arthur… — Steven Sebring Copy Share Image
We just grew to trust each other [with Patti Smith] more and more over the years. Most of the time I didn't… — Steven Sebring Copy Share Image
I would bring Patti [Smith ] in to the editing room [working on the Dream of Life] and say, "This is a… — Steven Sebring Copy Share Image
At the beginning I didn't even really think about making a movie [Dream of Life]. I was just thinking of documenting somebody. — Steven Sebring Copy Share Image
We just grew to trust each other [with Patti Smith] more and more over the years. Most of the time I didn't even have… — Steven Sebring Copy Share Image
That was an amazing experience [making Dream of Life]. It's hard to imagine that we were editing every day for a year. And it… — Steven Sebring Copy Share Image
We had a hodgepodge of footage. We didn't film [in Dream of Life ]all the time - we would just film periodically, so nothing… — Steven Sebring Copy Share Image
I thought about how to film something, how to take pictures of it and how to mix it all together. And I was getting… — Steven Sebring Copy Share Image
I would bring Patti [Smith ] in to the editing room [working on the Dream of Life] and say, "This is a great moment… — Steven Sebring Copy Share Image
I like not knowing too much about somebody I'm photographing, because the process also becomes an experience for me to learn about . — Steven Sebring Copy Share Image
Because the filming process was so organic and there was no script, the film [Dream of Life] was literally telling us what it wanted… — Steven Sebring Copy Share Image
She let me in during her tour, in London. Her band members - especially Lenny Kaye - were shocked at the fact that I… — Steven Sebring Copy Share Image
Fashion has also been a great outlet, and I'd like to do more fashion photography in the future. I also photograph a lot of… — Steven Sebring Copy Share Image
I took pictures of the objects and artifacts that Patti [Smith] would show to her friends because I wanted to document them. — Steven Sebring Copy Share Image
I remember when we were at Sundance, we were in Robert Redford's screening room, and I had never seen the film look so beautiful… — Steven Sebring Copy Share Image