Many years after animating Ariel, I continue to draw her, doodling as I talk on the phone, absent-mindedly passing time in a sketchbook. She has become a part of me and yet now belongs to the world and generations to… — Glen Keane Copy Share Image
At one point, I animated villains in our stories, a bear or a giant, then on The Little Mermaid Ariel just called to me… — Glen Keane Copy Share Image
I don't know how to animate on the computer, and I'm really grateful that I worked with a couple of other guys. We called… — Glen Keane Copy Share Image
If you are drawing a blank, or are having a hard time drawing a certain thing, then it is because you have not studied… — Glen Keane Copy Share Image
There's an image of Rapunzel free, flying in the air, as a sunburst, which says so much. This is a girl who has to… — Glen Keane Copy Share Image
I find that you're drawn to certain stories, and there's something about fairytales that have deep roots. They connect really deeply to you, and… — Glen Keane Copy Share Image
“Any time you design a character for a Disney picture, especially a fairy tale, it's going to become the definitive design for that character,… — Glen Keane Copy Share Image
There's a weird thing about me and characters with hair, from Ariel or Pocahontas to Tarzan with his dreadlocks and now Rapunzel... it's like… — Glen Keane Copy Share Image
If you are offered the opportunity to do something that you don’t know how to do – say yes, dive in and do it… — Glen Keane Copy Share Image
I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it, stretch it,… — Glen Keane Copy Share Image
