I think you've got to talk to the director, see the director's films and recognise that it's important that the work fits right in and see if as part of the movie. — Dennis Muren Copy Share Image
Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a… — Dennis Muren Copy Share Image
I just focus on one show, when this is over then I'll start looking at what is coming up. — Dennis Muren Copy Share Image
I'm always reaching for something we really haven't done, and War of the Worlds has a lot of this sort of documentary look to… — Dennis Muren Copy Share Image
But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together… — Dennis Muren Copy Share Image
And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this… — Dennis Muren Copy Share Image
To me the biggest breakthrough was when we did Terminator 2 that just opened the door for Jurassic and all of the others and… — Dennis Muren Copy Share Image
Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to… — Dennis Muren Copy Share Image
You know you can usually solve almost any problem, or you'll realize you can't, but usually you can solve almost any problem through some… — Dennis Muren Copy Share Image
And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with… — Dennis Muren Copy Share Image
Other times you can get showy for three minutes, and that's OK with certain films. But that isn't right with an Ang Lee movie,… — Dennis Muren Copy Share Image
What you want to do is, you want to get away from people being afraid to show their work, which is the first thing,… — Dennis Muren Copy Share Image
