Our Exhibitions [The Royal Academy] have... a mischievous tendency, by seducing the Painter to an ambition of pleasing indiscriminately the mixed multitude… — Joshua Reynolds Copy Share Image
It is vain for painters... to endeavour to invent without materials on which the mind may work. — Joshua Reynolds Copy Share Image
Style in painting is the same as in writing; a power over materials, whether words or colors, by which conceptions or sentiments… — Joshua Reynolds Copy Share Image
An artist who brings to his work a mind tolerably furnished with the general principles of art, and a taste formed upon… — Joshua Reynolds Copy Share Image
The painter of genius will not waste a moment upon those smaller objects which only serve to catch the sense, to divide… — Joshua Reynolds Copy Share Image
From a slight, undetermined drawing, where the ideas of the composition and character are just touched upon, the imagination supplies more than… — Joshua Reynolds Copy Share Image
If deceiving the eye were the only business of the art... the minute painter would be more apt to succeed. But it… — Joshua Reynolds Copy Share Image
A painter must compensate the natural deficiencies of his art. He has but one sentence to utter, but one moment to exhibit.… — Joshua Reynolds Copy Share Image
The general ideas which are expressed in sketches, correspond very well to the art often used in poetry... every reader making out… — Joshua Reynolds Copy Share Image
The first degree of proficiency is, in painting, what grammar is in literature, a general preparation for whatever the student may afterward… — Joshua Reynolds Copy Share Image
A painter must not only be of necessity an imitator of the works of nature... but he must be as necessarily an… — Joshua Reynolds Copy Share Image
Poetry operates by raising our curiosity, engaging the mind by degrees to take an interest in the event, keeping that event suspended,… — Joshua Reynolds Copy Share Image
Though colour may appear at first a part of painting merely mechanical, yet it still has its rules, and those grounded upon… — Joshua Reynolds Copy Share Image
I have heard painters acknowledge, though in that acknowledgment no degradation of themselves was intended, that they could do better without nature… — Joshua Reynolds Copy Share Image
In portraits, the grace and, we may add, the likeness consists more in taking the general air than in observing the exact… — Joshua Reynolds Copy Share Image
Words should be employed as the means, not the end; language is the instrument, conviction is the work. — Joshua Reynolds Copy Share Image
Grandeur of effect is produced by two different ways which seem entirely opposed to each other. One is by reducing the colors to little… — Joshua Reynolds Copy Share Image
And he who does not know himself does not know others, so it may be said with equal truth, that he who does not… — Joshua Reynolds Copy Share Image
If you have great talents, industry will improve them: if you have but moderate abilities, industry will supply their deficiency. — Joshua Reynolds Copy Share Image
The general ideas which are expressed in sketches, correspond very well to the art often used in poetry... every reader making out the detail… — Joshua Reynolds Copy Share Image
All the gestures of children are graceful; the reign of distortion and unnatural attitudes commences with the introduction of the dancing master. — Joshua Reynolds Copy Share Image
Our studies will be forever, in a very great degree, under the direction of chance; like travelers, we must take what we can get,… — Joshua Reynolds Copy Share Image
Style in painting is the same as in writing; a power over materials, whether words or colors, by which conceptions or sentiments are conveyed. — Joshua Reynolds Copy Share Image
The distinct blue, red, and yellow colors... though they have not the kind of harmony which is produced by a variety of broken and… — Joshua Reynolds Copy Share Image
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