In L.A., I called every scrap yard and surplus place that was listed, about 50 or 60 places, and only at one of them did the owner get intrigued and let me go around the yard to find stuff. Because… — Z'EV Copy Share Image
I don't want to see an experiment. Experiment at home - when you show up on stage, I want to see a result. I… — Z'EV Copy Share Image
I started working with synthesizer players, and I had to find new instruments. I needed a more complex sound, so I went to a… — Z'EV Copy Share Image
When I perform, it's definitely about duration. I don't play any kind of time signature known to man. — Z'EV Copy Share Image
I lose all track of time on that level. I used to have a really good sense of time. I didn't need a clock… — Z'EV Copy Share Image
A lot of the people that I play with are electronic-based, so there isn't a direct physical analogue between what they're doing and the… — Z'EV Copy Share Image
I don't really need new stuff anyway. I like to make big stuff, and it's too expensive to travel with. So I have my… — Z'EV Copy Share Image
It's really hard to find materials. Also, prices of metal have gone completely through the roof, insanely expensive. And if you go to a… — Z'EV Copy Share Image
You have to be loose enough so that when you listen to what's coming, you can follow it. In that sense I am improvising,… — Z'EV Copy Share Image
In L.A., I called every scrap yard and surplus place that was listed, about 50 or 60 places, and only at one of them… — Z'EV Copy Share Image
I'd been collecting different ethnic instruments here and there, and then I started making little bell type stuff, looking for weird little sound toys. — Z'EV Copy Share Image
Some of the stainless steel discs that I play, I cut myself from pieces of stainless steel that I found. I don't make as… — Z'EV Copy Share Image
The majority of my training was as a drummer, and drummers are basically accompanists. — Z'EV Copy Share Image
