What worries me is that we want to close down our relationship to the world at large. In other words, people's instincts are overwhelmed by the amount of images, or they can't distinguish anymore between Rwanda or Bosnia or Somalia. — Susan Meiselas Copy Share Image
There is so much more to the things that we think we know from afar. The close you get the more complex it is,… — Susan Meiselas Copy Share Image
I'm deeply interested in the photograph as a record of an encounter and enjoy putting myself in a timeline of image-makers, alongside other travelers,… — Susan Meiselas Copy Share Image
What worries me is that we want to close down our relationship to the world at large. In other words, people's instincts are overwhelmed… — Susan Meiselas Copy Share Image
Finding a photograph is often like picking up a piece from a jigsaw-puzzle box with the cover missing. There’s no sense of the whole.… — Susan Meiselas Copy Share Image
I see myself in [the] tradition of encounter and witness - a witness that sees the photograph as evidence. — Susan Meiselas Copy Share Image
I think photography has a huge potential to expand a circle of knowledge. There's a reality that we are all the more linked globally… — Susan Meiselas Copy Share Image
The camera is an excuse to be someplace you otherwise don't belong. It gives me both a point of connection and a point of… — Susan Meiselas Copy Share Image
We know photographers make frames, but we deeply believe they can also create frameworks. — Susan Meiselas Copy Share Image
If Instagram had been available when I was working in Nicaragua in 1978, I'm sure I would have wanted to use it as a… — Susan Meiselas Copy Share Image
For a long time I've lived with the inadequacy of that frame to tell everything I knew, and I think a lot about what… — Susan Meiselas Copy Share Image